Late Fall: From Sketch to Paint: Developing Oil Paintings from Still Life
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No class 11/26
Explore the journey from a preliminary sketch to a finished oil painting. Learn practical strategies to simplify scenes and establish composition, values, and shapes using still life set-ups. Develop strong foundational sketches that serve as the base for quick and effective painting development. Create compelling oil paintings from start to finish each week.
Student Supply List:
Students can use code MUNDIE at checkout for a discount if they wish to purchase supplies from Winsor & Newton.
- 9 x 12 spiral bound sketch book Sharpie marker
- 2 B pencil
- Plastic eraser
- Kneaded eraser
- Black or Brown Conte Crayon
- 9 x 12 inch (or larger) gessoed panel, canvas, or paper (if using gessoed paper you will need a board to tape or clip it to)
- Terpenoid or odorless oil paint solvent
- 2 small glass jars with tight sealing lids
- Paint rags or paper towels
- Protective gloves (gardening or medical)
- Painting palette or palette paper
- Assortment of flat and filbert brushes (sizes 2 to 8)
- Palette knife (BASIC Oil Palette )
- Titanium white
- Ultramarine blue
- Burnt umber
- Cadmium yellow Light or Lemon
- Yellow Ocher Light
- Naphthol Red or Pyrrole Red (Winsor Red)
- EXPANDED Oil Palette (these colors are not necessary but nice to have)
- Phthalo blue
- Cadmium Green Light or Permanent green light
- Viridian green or Windsor Green
- Dioxazine purple
- Burnt Sienna or a red ochre
